Privet! Hey its me, the modern-day reluctant music critic! lol “Sigh”…
Back when I was stuck and loving it independently in Nashville, Rob Redding, America’s Independent Voice, came across my job-networking radar as a young man who, ironically, had listen to my toils on legendary New York City radio stations, WBLS-FM, WWRL-AM, and 98.7 Kiss (WRKS)-FM. His notice of me was and still is very flattering in all of my humility.
Therefore, it is with great honor that I espouse upon his latest shifting of gears by stepping out of his character as a political talk radio host with a DANCE music album release entitled “Unleash The Whip!” [ Crystal Castle imprint via Amazon.com, iTunes and Redding’s Web site ReddingNewsReview.com] (I hope I got that title right, lol). I am shocked that he even sought to send me these tracks because I have been forced-out of the music industry and after resisting the warnings of the late Sonny Taylor, et al I accepted and retired from the ill music industry for many years now.
I got tired of being thought of a a one-dimensional, part-time “DJ”! Then two-and-a half years ago, a great Ukrainian woman came into my life and I happily smelled the java, made the transition into Sales of other items and machines that could much more likely earn me the real money for me to marry my soul-mate, Nina, and fade into the new horizon I have planned for us.. Thanks for trying to bring me back out to write this, Rob!
I liked tracks # 4 and # 5 initially, and then the rest.
Not sure I am “comfy” with this whole “Whip Him” concept which reminds me of the days chronicled in “Roots”; yet I try not to take things too seriously in-general.
Also reminds me of (thematically because of title) “Let It Whip” [Dazz Band] and a one hit soul radio wonder of the 1970s called “C’mon Everybody and Do The Whip!”lol Good production on these over the internet cuts – but I still rather hold a CD in my hands or a vinyl 12′, Rob!
So, what we have here is seven semi-contrived dance tracks; great production on the versions provided by Rob Redding’s surprising international producer contacts in the dance music production world, such as Swedish producer, the 25 year-old Audio Paradyn and Kalim Stavros, who is 46, sampled and dubbed-over, under and throughout his musings about racial politics in the United States. I love the international aspect , as you know if you’ve followed this blog at all (“Cafe` Skype”).
Whether this sells or hits the charts high on the dance floor charts is far from my waning abilities to predict such. My equipment is in-storage as are my once acute acumen to “program” music from the gut like my radio inspirations did. Rob would have been Inhotep Gary Byrd back in the early 1970s! So, who is next, Rush Limgaugh’s greatest hits over Rush??
Therefore, do not be surprised if “Unleash The Whip” isn’t a
stupefactional, superfluous hit! “Where’s the whip?” Here it is in video:
I “bless”it with three-and-a half ***s – but what do I know at this stage?
Pickhitt: Rob the flogger has penned three Amazon Best Sellers this year and they are, “Where’s the Change?: Why Neither Obama nor the GOP Can Solve America’s Problems” and “Resurrection: A Historical Anthology of two African-American Philosophers” and “Disrupter: Pathway to Political Independence.”
You can please chime-in with your opinion with a musical comment while I go back to the financial district. “Whip” THIS!
!
Achilliad's Blog 
I really like what you guys are usually up too.
Such clever work and reporting! Keep up the excellent works guys I’ve added you guys to my blogroll.
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I officially quit the music business in 1993 but my heart had already left months before. I broke ties with the majority of my peers and removed myself from this thing I had once loved. I took some time off, returned to Europe for a few years, settled out of state, and lived a “quiet” life away from the world of entertainment. As the years passed, I managed to keep my secret, fearful of sharing it with the wrong person but also a little ashamed of not having had the balls to blow the whistle. But as rap got worse, my guilt grew. Fortunately, in the late 90’s, having the internet as a resource which wasn’t at my disposal in the early days made it easier for me to investigate what is now labeled the prison industrial complex. Now that I have a greater understanding of how private prisons operate, things make much more sense than they ever have. I see how the criminalization of rap music played a big part in promoting racial stereotypes and misguided so many impressionable young minds into adopting these glorified criminal behaviors which often lead to incarceration. Twenty years of guilt is a heavy load to carry but the least I can do now is to share my story, hoping that fans of rap music realize how they’ve been used for the past 2 decades. Although I plan on remaining anonymous for obvious reasons, my goal now is to get this information out to as many people as possible. Please help me spread the word. Hopefully, others who attended the meeting back in 1991 will be inspired by this and tell their own stories. Most importantly, if only one life has been touched by my story, I pray it makes the weight of my guilt a little more tolerable.
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Dear Anonymous, I feel you on rap music criminalization and stereotypes. You almost sound Cornell West-ish! Thanks for reading – maybe write a book?
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