Tag Archive: dance music review


UnleashTheWhip

Privet! Hey its me, the modern-day reluctant music critic! lol “Sigh”…

Back when I was stuck and loving it independently in Nashville, Rob Redding, America’s Independent Voice, came across my job-networking radar as a young man who, ironically, had listen to my toils on legendary New York City radio stations, WBLS-FM, WWRL-AM, and 98.7 Kiss (WRKS)-FM. His notice of me was and still is very flattering in all of my humility.
Therefore, it is with great honor that I espouse upon his latest shifting of gears by stepping out of his character as a political talk radio host with a DANCE music album release entitled “Unleash The Whip!” [ Crystal Castle imprint via Amazon.com, iTunes and Redding’s Web site ReddingNewsReview.com] (I hope I got that title right, lol). I am shocked that he even sought to send me these tracks because I have been forced-out of the music industry and after resisting the warnings of the late Sonny Taylor, et al I accepted and retired from the ill music industry for many years now.
I got tired of being thought of a a one-dimensional, part-time “DJ”! Then two-and-a half years ago, a great Ukrainian woman came into my life and I happily smelled the java, made the transition into Sales of other items and machines that could much more likely earn me the real money for me to marry my soul-mate, Nina, and fade into the new horizon I have planned for us.. Thanks for trying to bring me back out to write this, Rob!

I liked tracks # 4 and # 5 initially, and then the rest.
Not sure I am “comfy” with this whole “Whip Him” concept which reminds me of the days chronicled in “Roots”; yet I try not to take things too seriously in-general.
Also reminds me of (thematically because of title) “Let It Whip” [Dazz Band] and a one hit soul radio wonder of the 1970s called “C’mon Everybody and Do The Whip!”lol Good production on these over the internet cuts – but I still rather hold a CD in my hands or a vinyl 12′, Rob!

So, what we have here is seven semi-contrived dance tracks; great production on the versions provided by Rob Redding’s surprising international producer contacts in the dance music production world, such as Swedish producer, the 25 year-old Audio Paradyn and Kalim Stavros, who is 46, sampled and dubbed-over, under and throughout his musings about racial politics in the United States. I love the international aspect , as you know if you’ve followed this blog at all (“Cafe` Skype”).
Whether this sells or hits the charts high on the dance floor charts is far from my waning abilities to predict such. My equipment is in-storage as are my once acute acumen to “program” music from the gut like my radio inspirations did. Rob would have been Inhotep Gary Byrd back in the early 1970s! So, who is next, Rush Limgaugh’s greatest hits over Rush??
Therefore, do not be surprised if “Unleash The Whip” isn’t a
stupefactional, superfluous hit! “Where’s the whip?” Here it is in video:

I “bless”it with three-and-a half ***s – but what do I know at this stage?
Pickhitt: Rob the flogger has penned three Amazon Best Sellers this year and they are, “Where’s the Change?: Why Neither Obama nor the GOP Can Solve America’s Problems” and “Resurrection: A Historical Anthology of two African-American Philosophers” and “Disrupter: Pathway to Political Independence.”

You can please chime-in with your opinion with a musical comment while I go back to the financial district. “Whip” THIS!
!

Here is one my former Editor at About.com chose to have me write but didn’t publish after he got cold feet after six years.  It has hung-out on my machine since early 2011.  Nina recently asked me to write about more “new” music, so here is something newER than my “My Vinyl” series (that she’ll soon see the value of first-hand, I pray) :- j

Detroit Grand Pubahs

The DGPs don’t take themselves too seriously and the fact that they could be perceived as a novelty act doesn’t bother them either. Any hint of that kind of caring wore-off three full-length albums ago and they keep on creating. Therefore, “Madd Circus” [Delete Funk – DETELE 016CD] comes to us as not your father’s Detroit sound, but more a gregarious, sometime campy on-purpose collection of electronica, funk, rock and R&B.

Tongue-in-cheek verses or no verses at all can only be described in self-deprecatingly honest terms, and much of this reminds me of the results of my own middle-of-the-night screwing around in my home studio, just freaking-off on the microphone making up my own dirty lyrics to standard fare or any random instrumental track.  Witness cut seven, “Much Better” which is over seven minutes of “Yeah, Yeah, Yeah, Yeah/Whatz up, Whatz up, Whatz up…” over an anonymous electronic outer space noise that begins with an irksome sound akin to when you plug the wrong RCA plug into the right jack on your component system. “Autotragik”, cut two, conjures Kraftwerk gone “madd”.

No Hoes In My Studio” is another funny one that makes you go, “Who are these guys?” It isn’t much of song, but a chant/rant.. I love the satire of “Breakfast In Bed” because it takes me back to the era when cats like Johnny Bristol (“Hang On In There, Baby” 1974) and Barry White were crooning about sexual situations, and meaning it. “There’s No Need to get Out of Bed, cause the buffet is right here (my dear)”, they charm.

Down the stretch from cuts thirteen to eighteen, the fare becomes an annoying Madd Circus of sound and randomness, although I really do like the energy of the title track and of “Clone Mobile (1Gets in 9 Get Out)” which reminds me of Dennis Coffey’s “Scorpio” in overdrive.

Messrs Paris The Black Fu and “O” are all over the place on this album and exhibit eccentricities far beyond those of mortal entertainers, and the frankness of their verses or rhymes – if you will – might take some aback as heard on track twelve, “If its gonna be that kind of party, then I’m gonna stick my dick in the mashed potatoes!” which features Domgue` & Mitch Marcus – whoever they are, I couldn’t find out anything about them.

I love that video.  The DPGs have a wide, opinionated, varied, scandalous and humorous collection of ideas in their own inimitable Pubah style. I have the feeling that this will sell given the attraction to over-the-top weirdness that our times are experiencing, so how about this, a pay-it-safe three lofty, haughty motor city stars. Do you like it? Tell us in “comments” section below! Thanks.

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