Tag Archive: WNJR AM


My Vinyl – Loleatta Holloway

One…two…one, two, three, hit it! My “children” (aka my Disco record crates) are weeping in memory of an original “disco diva” from the 1970s, Loleatta Holloway, who left the physical world yesterday at only sixty-four (64) years of age.  First impression?  Again – we never know how long we have on Earth…

My Holloway vinyl library consists mainly of  special DJ 12″ pressings (which play at the speed of 45rpm) and 45rpms with the long versions of her classic disco hits that the record companies bestowed up me, the “baby DJ” when they ran-out of the bigger platters.  A neighbor gave me this one that somebody was going to throw away, of all things…

Of course I first heard of Ms. Holloway when the late Frankie Crocker introduced her over the airwaves of the then number one music station in the nation, New York City’s WBLS, 107.5 FM, “Loleatta Holloway…that’s ‘Hit and Run…she’s a Diva…”  The eleven minutes of 1977’s “Hit and Run” is the disc that I can always put my hands on first as I’ve kept it cataloged in the same crate.  Listening today for this post, I dusted off my Hustle steps with my invisible dance partner, Nina! (I’ll have no problem teaching it to her, lol)  That’s the dance that was popular during the Holloway heyday.

I have two “Love Sensations” and to listen to the video below, I am reminded how Crocker and another programmer of the day used to speed-up the pitch of the music we played on the air so as to make our “sound” livelier than the competition –  pitch control on turntables was “new technology” back in the ’70s – an it worked! This version sounds a bit labored.

Loleatta is one of those classic club music singers like my acquaintance Jocelyn Brown, who had that throaty, church- Gospel kind of yell that they used to accent the song’s situation.  She added that accent more after her days as an R&B singer on the Aware record label, no-doubt.  The only hit I own from those days is “Casanova”…played during my young-adult days on NYC’s WWRL AM and Newark’s WNJR AM, it still resonates and retrieves those memories here, now

index

that I dug it out of the old 45 box; there was a bigger hit from those days, “Cry To Me” but I didn’t like that one as much, nor do I have it, and for a long time I didn’t make the  connection between those Atlanta days and the disco jams.

“It’s all ova, Casanova, It’s all ova CasaNOVA…”

Teaming-up with Salsoul Records head man and producer, Vince Montana, and his Salsoul Orchestra gave Loleatta the opportunity to shine on their second album, 1977’s  “Magic Journey” with the midway on side one the hit  “Runaway”.  My only other Holloway appearance is on Dan Hartman’s 1980 floor-filler “Vertigo/Relight My Fire album.  That is one l-o-n-g intro and Loleatta’s voice stands out among the chorus, “Strong enough to walk on through the night!” Yeah! 

 Once Holloway blessed the DJ booth of the Garage in NYC while I was there visiting Larry Levan after my overnight radio show on WBLS.

What is your favorite disco memory from 1977?  “Ok, now let’s do the album version…” lol

I own every Moments record on vinyl – 45rpm or LP.  No brag, just fact.

A couple of nights ago I learned that singer Al Goodman left the physical world at age sixty-seven.  That is not too old, but old enough for those of his generation and show business profession.

Al Goodman

 was one-third of the group The Moments, who I grew-up listening to on metro New York City “soul” radio stations WWRL AM and WNJR AM in the late 1960s and early 1970s.  The Moments touched a spot in my youthful musical psyche and heart like no other group did as I discovered the virtues and passionate pains of romance and love. 

The only groups of that era that came close were The Delfonics and The Continental Four, who most of my friends adored more; but I dug The Moments!  Maybe because their lesser-known record label, Stang ( a division of All Platinum), appealed to my rebellious, left-of-the-mainstream personality.  The raw production wasn’t as polished as The Delfonic’s Philly Groove label, and that was quite the charm of  The Moment’s sound effect as well as their unique three-man harmony. 

Harry Ray,

often the lead on the classic hits and another third of the group passed away back in 1992, and now that leaves only Billy Brown alive as an original “Moment” if I am correct. 

I remember when my radio mentor, Sonny Taylor was an executive at Polydor Records for a brief stint during which The Moments made a move towards larger recognition than they must have thought Sylvia Robinson and All Platinum could give them, the controversy was that they had to give-up their name, “The Moments”,because of a stupid legal dispute, and the sleazy, petty politic of the record music industry. They became known as their last names of (Harry) Ray, (Al) Goodman &  (Billy) Brown.  We true fans never recognized this, and to this day call them “The Moments”!  The best song that came out of that marriage was “Special Lady” in 1979. 

My favorite Moment moment is 1974’s “(Hey Girl) What Is your Name” where Al’s name is the forefront of the writer’s credits on “The Best Of The Moments”.  By 1976, Carol Sager was in the writer’s house with The Moments on such classics as “I Could Have Loved You” and the ever running “I Don’t Wanna Go (But I Can’t Stay Here No More)”, an album produced by Al Goodman, Walter Morris and Harry Ray.

 Now, I must admit that as my favorite song isn’t quite true, as there are SO many other Moment memories to choose from, like  my real  first favorite when I was a teenager, “Lovely Way She Loves”, which typifies a young man first discovering that a slow dance with a girl at a basement house party can make parts of your loins come alive anew!  There are also the many hits backed by All Platinum studio musicians from the band Willie (Feaster) and the Mighty Magnificents such as   “Not On The Outside, But Inside Strong”, “Somebody Loves You Baby”, “I Do”, “Sunday”, “All I Have”, “Just Because He Wants To Make Love (Doesn’t Mean he Loves You)”, “If I Didn’t Care” (which my parents must have gotten tired of because I played the grooves off of that 45rpm up in my boyhood room,  to the point the record was dusty!), and then moving into [I think] a group of different background musicians, hitting gold with the classic, “I Found Love On A Two Way Street” ( which coincidentally comes-on as I write these words!). If you ever conjure it, remember there is a long version of it, where the vamp, “Bye, Bye Baby, bye bye!” is extended into the fade at end.  Their songs were not all slow, however as they made forays into the Disco trend with “Sweet Lady” (OMG!), “Sexy Mama” ( the 8:50 version with the fade-in and out), and “Girls!”

When I heard word of Al Goodman’s passing, I suddenly couldn’t get their “Gotta Find A Way” out of my musical mind!  Also I must mention “Seven Days” [OMG! with the fade-in-and-fade-out; one of the first l-o-n-g slow jams], “Lucky Me”, “To You With Love’, “I’m So Lost”, “Look At Me, I’m In Love”, and that album that they did with The o’Jays, “The O’Jays Meet The Moments”.  My college roommate must have grown weary of me always coming in after an argument with my (then) puppy loves of campus, and throwing-on The Moments to soothe my pains, lol. 

Fortunately and finally, I got to meet and “hang” with these Moments, especially during the mid-1980s into the early 1990s.  it was like a dream-come-true to chill with singers you idolized as part of your youth, ya know what I mean?  I remember  Harry Ray and another late radio inspiration and mentor, Jerry Bledsoe, cutting-up at the Dow Twins’s New York City major nightclub, Leviticus on WBLS night where Jerry B. cursed-out WBLS FM management and aired some dirty laundry.  THAT was a classic! LOL Several times, I was suddenly in the company of  the total gracious and class act, Billy Brown,  on numerous occasions at various occasions.  I always had to hold myself  back from fawning like a schoolgirl over these cats with copious compliments. 

Al Goodman, “the baritone” was the quieter of the trio.  It was a great honor to be “With You“…I’ll never sing another song ’bout leaving…”

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