Category: My Music Reviews


As soon as I saw these roadside posters, I wanted to attend this show!  I haven’t heard from or of Billy Ocean since the late 1980s with anything new and of course his hits lasted all through the 1990s when I was still gigging as a DJ in clubs and bars.  His first hit, “Nights (Feel Like Getting Down)”, is one of the great dancefloor-filler of all times, that the late Frankie Crocker used to play again and again and…a-gain on WBLS FM during one of its several heyday peaks in 1981. IMG_0435

IMG_0436 Of course, his baadest jam, and one twelve-inch vinyl I still own is “Carribean Queen”, a song that often haunts me and wedges itself into my sleep and at other inapporpriate moments.  Proving its timelessness is still in full effect.  Check out how Billy looks nowadays! lolI dig the “wig” [I know it is his hair and still has gthat big smile.  Kool, ‘Mon… lol

Michael Bolton, on the other hand, is a fixture of my career as a Top 40/CHR (mostly on overnights where I liked  the novelty of being the only black Brotha, lol) radio personality, where I spun his early hits in the 1980!

But this post isn’t all about me, as this concert I really wanted to see – but didn’t. Summer rain showers threatened that Sunday at the end of June and therefore, to this former neighborhood near where I grew-up, I did not swoon.

Only to learn weeks later (and with those posters still hanging and reminding me at the side of the road) that the show had gone on despite the “chance of thunderstorms”, which were in the area that evening.

On to the videos!  Thank you for reading and please leave a comment!  Cheers!

Next in-line:

Both these cats are lookin’ and soundin’ Great in-time and space!  Bravo!

And now my favorite “Carribean Queen” video for dessert…Come away with me!  MmMmmmm, Good…Safe(?)…Travels.

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Just in-time for 2015 spring (beat) breaks, here is a cool cabin fever buster! Whether you are a DJ seeking spice for your sets or a “civilian” music lover, these fifty-four minutes of sound has something to give your Mr. Spockish quizzical eyebrow pause to do its thing.
From the first cookin’ bounce of “MIX” [BasicLUX BL9228-6; release date, March 31, 2015 ], I was reuniting with some old friends. I thought to myself, “The Cools have done it again!” James and DeAnna Cool, better known as Madison Park, are now collaborating with a Dutch dance music producer known as Beechcraft for this “MIX”, a well-conceived fourth full-length album CD since I first heard about and reviewed them for www.about.com back in the mid-2000s. It is very difficult to find out any bio on Beechkraft, who is also a Netherlands composer for television and film. Apparently he prefers to remain a bit of an anomaly – I cannot pinpoint exactly what he added to their sound, but suspect it is the upbeat, spirited-cadence of several of these tracks that he is responsible for. If I am incorrect, please educate me in the comments section below. At times, this album has a Pet Shop Boys feel to it – not a bad thing in my musical universe!
Madison Park, as always, features a very clean, sophisticated club music sound stapled by impeccable electronic editing and, of course, DeAnna’s hypnotically soothing lyrics via enchanting, wispy- velvet vocals. Having gone thru the disc multiple times, the first track, “Tonight” is the one I sweat the most. “Warm When I’m Alone” is next on my hot parade – I dig the uptempo groove – as future floor fillers!
In total, “MIX” grooves like a theatrical play or movie soundtrack with various moods and tempo. The cover art features DeAnna as the “I” in Mix, by the way, while the inner seat for the disc has three philosophical sayings for us to ponder.
Since 2002, downtempo duo, Madison Park has continued to produce brilliant music through a turbulent music industry era and are best known to me for their Billboard Dance remake of Roxy Music and in-particular, my favorite song, “More Than This”. Of-note here is their downtempo version of the David Bowie classic, “Let’s Dance”, which I envision as mixable within pancake turner late night chill sets. I think that it, like several other tracks should fade instead of ending cold. A chop ending works well on the acoustic selection, “Words”, track eight, naturally; fades are more disc-jockey-friendly.
From the dream-scape of “Parts of Me” to the bongos heard on “I Am Your Beachbreeze” or a cathedral-house anthem on “Sunrise (Next Level MIX)” and the lite drum & bass treatment of “Every Single Day”, this “MIX” garners a listenable, danceable rating four-of-five up/downtempo rated touch of house married with Portishead stars, which will cure whatever malaise the winter of 2015 touched you with. Remember…”Itz IN da MIX”.

Pickhitt: James Cool tells me that “Parts of Me” was the first single released in-advance of “MIX” and is in it’s 13th week charting on the World Chill-Lounge Charts at the time of this revu publishing. The video for “MIX” is being shot and edited at the time of this writing and will be available by the end of March, 2015. Then…y’all will see it here (hopefully FIRST!).

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I loved everything about David Ruffin as lead of The Temptations and thereafter when he recorded solo, especially on “My Whole World Ended (The Moment You Left Me)” and the Van McCoy production, “Walk Away From Love”.  I didn’t even connect the vinyl dots to realize that he had an older brother who could sing just as well in his own right until, [ I can’t remember when it was ] one day I acquired and really looked at the label of the 45rpm record, “What becomes Of The Brokenhearted” by Jimmy Ruffin and wondered as I played it, was this guy related to David. Or maybe I had a previous inkling… There was no “Googling” back then to learn instantly the answer, and so I had to rely upon my “ear” for music which heard the similarities of voice that let me know these two singers were related for sure!

I have used Jimmy’s biggest hit to accentuate at least two blogs here at ‘Achilliad‘ since I began to do this in 2009.  One was me crying the blues about some chick that deserted me in love back in, I think, 2008 or nine, the other more recently as a part of a collection of “tune wedgies” that I had get off my (mind) chest.

Jimmy-Ruffin

But this post, Jimmy, is for YOU. Posthumously, yes, but I was always by your side due to the anthem of unrequited love that you gave us. With tears wanting to well-up behind my eyes, I dedicate this post to you, Jimmy, who, unbeknownst to you because we never met, held my hand many a night whey I really cried over a lost love. If I were the Program Director of a radio station right now, I would play a whole hour of your music, both the familiar and obscure even if I had to play “What Becomes Of The Brokenhearted” back-to-back-to-back-to-back and then some. You were a non-spotlight seeker whose light of class and groundedness belied the showbiz stereotypes. London was a good place for you to be more appreciated – good move to go there, Sir!

Here is one by Jimmy that is really the first time I heard him! It was on Volume 9 of the famous vinyl “Motown Collections Of 16 Original Hits” albums!
Again, the unrequited love theme on, “Don’t You Miss Me A Little Bit Baby”…

I knew you must have been David’s older brother because of the similarities of stature and movement, like that little hand-to-hand move you did with the mic while singing the oft-sampled lyric, “Always moving and goin’ nowhere.” Knowing you are not in the physical world any longer moves me to seriousness with the knowledge that your spirit is singing with the angels as your body rests in musical peace having let me express my many failed love relationships via your wonderful one-hit wonder.

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“What Becomes Of The Brokenhearted”? We just drag along until we have a chance to join the departed.

Jimmy Ruffin: 1937 – 2014

“Whoa, Nellie!” Now here is a ‘TUNE WEDGIE’ that you can help me figure out:
Why does this tune play in my “DJ Mind” even while I am in non-REM sleep or while making my breakfast before going to weekday work? Maybe it is because I am a Baby Boomer and product of being raised in New York City with some of the greatest and legendary terrestrial radio stations of all times?…
Whatever…This song by the Everly Brothers is one of the first hits I ever heard when I discovered radio in the early 1960s.
They were country-influenced rock and roll performers, best known for their steel-string guitar playing harmony sound. Their hottest streak of chart success was between 1957 and 1961, but radio stations played them as “recurrents” well into the 1970s! Even today I can hear, in my musical mind, the likes of DJ Dan Ingram back-announcing “Cathy’s Clown” or any number of the Everly Brother hits with a clever double-entendre. Back then, if you had to classify their music, they called it “Middle-Of-The-Road” or “MOR“.
“Cathy’s Clown” was track #14 on the Everly Brothers album with a bullet!
I always liked their kind-of competitive interplay when they sang; unsure whether they really were “brothers” or even if they liked each other (standing so close to each-other like that) when I saw them on shows like “The Ed Sullivan Show” or “Shindig”!
Come on now, and sing along!

Don’t want your love any more
Don’t want your kisses, that’s for sure
I die each time I hear this sound
Here he comes, that’s Cathy’s clown

I’ve got to stand tall, you know a man can’t crawl
For when he knows you’re telling lies
And he lets them pass him by
He’s not a man at all

Don’t want your love any more
Don’t want your kisses, that’s for sure
I die each time I hear this sound
Here he comes, that’s Cathy’s clown

When you see me shed a tear
And you know that it’s sincere
Don’t you think it’s kind of sad, that you’re treating me so bad?
Or don’t you even care?

Don’t want your love any more
Don’t want your kisses , that’s for sure
I die each time I hear this sound
Here he comes, that’s Cathy’s clown
That’s Cathy’s clown, that’s Cathy’s clown

Well, that’s a wrap for this “Wedgie” and please pray with me now that this tune will not intrude on this night’s sleep. Comments welcome and I will reply when I awaken from my “Dream, Dream, Dreams. Bye-Bye, Love!”

At first, this post just began because I just wanted to add a new tune to my “Tune Wedgie” page this evening. I cannot fathom nor find out how do do this. Therefore, I guess I am a true “Dumbblogstone Cowboy” because I have not a clue how to manage my blog’s rodeo… Hey, WordPress! Help!! (not) I figured it out and turned this into a positive.
So, somehow within my radio disc jockey mind, songs that I played in the past just come upon me randomly and nowadays I turn them into food for this blog, “Like A Blogstone Cowboy”! , lest I lose my mind! lol

It is just this evening’s tune wedgie du jour as I write this. why? Maybe because Glen Campbell recently came up in conversation by the water cooler at my totally unrelated to music job. A guy wondered was he “still alive?” As a former radio DJ, I assured my co-worker that I had not heard any news of Glen’s demise. It is hard to keep track these days, however.
“Rhinestone Cowboy” is a great song and one which, for whatever reason gins-up into my musical jukebox mind from time-to-time. I was a senior in college radio when this tune was a hit and who knew that I would spend much time in, and come to love Nashville, Tennessee for many reasons that still shine on me.

Now I know what the song inspires in me because it was written for my situation upon the year of my college graduation. It is the aspiration that I always prayed would happen, “Getting cards and letters from people I don’t even know…” In other words, getting discovered for my vocal or DJ talents and hired with a huge money contract. “Like A DJ Cowboy”…I keep believing because indeed, “there has been a load of compromising on the road to my horizon“.

***PICKHIT: After this post first posted, I was reminded by one of my dear college buddies that, indeed, Mr. Campbell is alive, well and suffers from Alzheimer’s. The good news is that, IMO, the MUZIK keeps him “doing fine”, and so I researched and add this video:

**SURESHOTT: August 8, 2017 Charleston, SC: I just found out Mr. Campbell passed. I attach my favorite, full orchestra version of “Lineman” as tribute, with a tear when I hear him say, “And I’m doin’ fine…” I loved his music as a DJ and a Fan. Sleep In Peace, my friend. Never again to be “short-miked”. (((

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Nashville, Tennessee
A beautiful, free-spirited twenty-four-year-old budding Country music star is by another name, Montana’s “big sky” farm girl- deluxe, Kayla Adams!
This is the latest spin on the “Get drunk and act the fool with your boys if you want to, but when you return to reality, your stuff will be packed-up and out on the street” theme – “Even your records and your ole guitar!”

“Sober & Sorry”, Kayla’s catchy debut single [SSM Entertainment] for one thing, is a hybrid of classic Country music ( I call it a funky “square dance”) rhythm of “one-two…three-four…one-two-three…three-three-four and the rockin’ country trend which emerged circa 2007 and was co-penned by her along with Pete Nanney and Billy Atherholt.

Born of a past personal relationship experience, Kayla employs what Authors often do when life hurts, “writer therapy”.
Don’t let “a shot o’ Jack” make you do something stupid that you will be sorry for when the drunk (alcohol) wears off! This could be the first of a stream of hits by this fine, young blond and blue-eyed starlet.
Kayla is an aspiring navigator of the winding-musical artist road and is straight-with-no-chaser on this one!

Her cover art shot for the single!

Her cover art shot for the single!

Her first album is in the works for late Summer/early autumn 2014 release. Kayla identifies LeAnn Rimes as one of her musical role-models and you can hear it!
Check-out her website, http://kaylaadamsmusic.com/

Mean relationship revenge aside (don’t try this at home girls), I can happily bless “Sober & Sorry” with four out of a possible five Country guitars, with a bullet!
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At the time of me penning this review, the music world lost a veteran of rhythm and blues, Bobby Womack, one of my all-time favorites who had recently appeared at Bonnaroo in Tennessee. He, like Kayla, was a musical free spirit; maybe an indicator of God’s heavenly balance – as one leaves another arrives.

If I was still a DJ on the radio, I would back-announce it by saying, in my deepest, sexy man-voice, “Oooh, Yeaah!… Don’t mess with Kayla…” lol

Please add your comments. Thank you.

From The Pajama Bar’s vintage vino cellar of classic hit music, I offer this review of a not-so-oldie-but-goodie of the dance floor that I wrote-up in the late 2000s for about.com and my friend, DJ Ron. Major Props to James and DeAnna Cool.

As soon as my editor put this CD in my hot little hands, somehow I knew I had a smash. I couldn’t wait to get to the studio and press “play”. On a recent road trip, I listened as the miles flew by. Sure enough, from the first beat of track one, “Roxy Re-Modeled” [basiclux 9205-2] did not disappoint me. This is a wonderful collection of re-done Roxy tunes that you will love to play over and over.

The personalities that have created this revival are as interesting as the music is. Simply put, I must gush because I love the weave-through journey of this album! “Roxy Re-Modeled” is not just a face-lift, it is careful to maintain the class of the original as a renovation of a classic museum would.

The Roxy concept is the musical brainchild of visionary Bryan Ferry who busted it upon our ears for it to be known as much for the lavish theatrical stage presentation as for the music, and became the stuff of legends thirty years ago. I taste a touch of salsa behind the wisdom on the opening lyric “nothing lasts forever” on track one, “Same Old Scene,” and Cool’s vocals are Lisa Lisa-like. This first came out back in ’80, on the album “Flesh and Blood.”

 

The re-deux of Ferry’s classic “Love Is The Drug,” this time by J.A.C.E. featuring Chris Hays, has the feel of the Bee Gees’ “You Should Be Dancin’.” I also must bigg-upp (la) Grace Jones’s classic 1980 treatment of it. This version maintains the frenzy; the energy that keeps on building and the pounding, driving beat.

I mixed the Manhattans’ old classic “Shining Star” seamlessly into “Angel Eyes” (track 3), which registers as a better-than-the-early nineties-group-Soul II Soul-groove by Perfect Project. It is jazzily hypnotic; a great listen on a hazy Sunday afternoon. Sunday People’s “Avalon” (track four) features the euro-whispery vocals of Hassan Nasser (not the boxer is it?) It is mysterious and the musical interludes aid the international flair of the disc as a whole.

 

Now with “Don’t Stop the Dance” (cut five), BiTeR mc and Elena DeLucca’s tempo keeps it rocking steadily. Now I know what happened to good electronic pop-style music. It is on this album! I would add “More Than This” (track five) from Madison Park in heavy rotation on my fantasy dance music radio station (whose ratings, of course, would, be number one)! ’nuff respect to Lenny B on the remix which has the big Webster Hall ballsy bass house feel. Don’t waste time, cut to the musical chase when you re-compose a piece and give it the opportunity to cross to the CHR/Rhythmic Top 40 formats for those programmers left who are bold enough to go out on a gut-level limb. This one is my personal favorite.

“Kiss and Tell” (track eight) by J.A.C.E featuring Chris Hays on vocals is bold and brawny dance (of the cloth of Theo Vaness’ 1979 “No Romance/Keep on Dancin'”). I just can’t get enough of this kind of sound, and I love when stuff makes me get down on my knees and dig into the crates! “An Angel’s Eyes” (lots of angels guard this effort) by Stormchild is an insty with a familiar funky hard beat and a nice airy, progressive change mid-song. A little “traveling music, please”- that’s what it iz.

 

The next two tracks, “Beauty Queen” from Goldlust featuring Sarah J., and the downtempo “Slave To Love” by Abstract Foundation offer a timely change-of-pace like jerk chicken and a Caribbean rum beverage.

For a nice Adult Contemporary format feel, choose “You Do Something To Me”, another Madison Park tune, this time with The GrooveOholics (track twelve). DeAnna shines once again in her starring role with dreamy vocals that began before she even uttered a word. As her Mom tells it, one day when bathing and singing to the few months old DeAnna, she was surprised when her daughter looked up and matched her pitch, holding the same note! Mother DeAnna was so shocked, she almost fumbled the little darling.

Track thirteen, “Ten Cents A Dance,” by Wilson is Yar Wilson’s upbeat and positive curtain call with the same feel of “Kiss and Tell.” Personally, there is so much compelling stuff yet to tell about this, dear reader. In any event, this compilation makes you feel a strobe light rainbow of danceable sound.

Five stars – hands-down!

Jeremy Phifer live shot 388875

The latest volley to flash across my musical bow comes from Blossom, Texas-born Jeremy Pheifer, who, with that non-Country music-sounding name, brings us “Take the L Out Of Lover”. Not only is his name non-traditional Country, but so is his look. To me, he appears to be enforcing the guitar into the song, rather than playing it. Hunched-over his axe on the dropbox video (which I can only link here as wordpress does not support a viewable upload apparently), I can see why he used to be a bouncer and American football defensive/wide receiver! Sports and music are this hunk’s two major personal passions and his touch on guitar is surprisingly tender at times. https://www.dropbox.com/s/am9toib48bsqcd8/TakeTheLOuttaLoverc.mov

Jeremy Phifer image 6

Physical presence notwithstanding, the hook lyric, “If you take the ‘L’ out of lover and its over…” is clever and true. I can think of a couple similes like, “take the ‘M’ out of mother and its “other”, or “take the “N” out of never and its ever…” But I guess I digress as only a wordsmith would. None in love want to remove the “L”! Indeed, it might be over. Can you relate? Tell your story in our comments section, ok?

This latest single is the culmination of Jeremy’s life hurdles and struggles which include losing his baby sister as a child and special educational challenges with reading. Music runs in his blood as his dad, Jerry is a legend in the state of Texas, who has is own studio and is the backbone of his band on pedal steel.
Jeremy Phifer and the Texas Bad Water Band, with a sound he describes as “Lynyrd Skynyrd on cornbread meets Alabama”, has toured all over the Texas/Oklahoma casino circuit and from Paris to Dallas in The Lone Star State itself. Apparently however, it was not until they “put together a team of pros from the New York/Los Angeles music city of the south, Nashville, that the lyrical aspirations began to move forward for this young entertainer.

I give “Take the L out Of Lover” three (3) bold Pajama Bar stars *** out of a possible five, mainly for the creativity of the title and conceptual play on words. What do I know, it’ll probably be a smash!

If I were him, I would just use “Jeremy” as my stage name and polish-up my act not to look so ordinarily “just off of the truck”. Yet again, having spent many-a-day in Nashville, I understand that J.P. surely sounds different when said by a southerner, and his father and nine-year-old son who is pickin’-up in his footsteps would give him grief if he did that, lol. As Jeremy put it after a recent gig where all three shared the Elks Loge stage in Paris, Texas, “To have three generations of Phifers playing together is a memory I’ll cherish forever”. Just remember, if you take the ‘for’ out of forever it is “ever”.

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I am “cursed” with a “DJ Mind” by dint of my many years playing for people on the radio and doing events and parties in nightclubs. On the regular, I can hear music from Neil Diamond to The Intruders at any time of the day or night playing in my mind. Like this oldie by The Intruders that kept me up all night last night

What happened to the rest of that clip?

Am I insane or just musically challenged? lolol

Or this one by The Continental Four who I hung out with briefly at an old theater turned brief concert hall near Parsons Boulevard and Jamaica Avenue in Queens, New York called ‘The Creep’

Or at any given moment in my life a cut from Niel Diamond will start playing in my ears! Like this!

What is a “Cracklin Rosie” anyway? lol

Yes, I know, it is form of lunacy, but it doesn’t hurt nobody and I bet if you like music you have experienced it too! (That Neil Diamond is a “heartthrob” isn’t he, lol!)

Or sometimes out of my somnolence, my brain will play David Ruffin of the Temptations brother, Jimmy’s one hit wonder – I know not why…

I am at work one day in a totally different sales field from music radio, when along comes this one by Carol King which I played during my days as a Top 40 disc jockey in the early 1980s

Again, dear reader and listener, I do not know why except that I have played so many tunes and listened to so much contemporary music since the 1960s until today, that my brain has become a kind of “jukebox”. And yet, many times, I would like to [as I know that you also might to] perform a “system restore”, change my mind and…start all over again…

I can be sitting at my desk at “the day job” and Tyrone will sing unto me; its a favorite melody!

And then there is this one spawned because I lived through the nightmare of a stalker female which reminds me of this one by Elvis

Just leave me alone

And you’d be lying to yourself if you, at some point, didn’t want to “turn back the hands of time” right?

And so, when you are inhaling a loving rainy spring, summer or autumn breeze, just remember that you are not all that unusual from the “Achilliad” and my natural “DJ” mind.

Maybe I just miss dee-jaying..

PICKHIT: This post could go on forever with song and will likely have sequels…Oh and that was the late Barry White on the phone, “Baby I’m Home…” ( :

Yikes!, I thought I was gone and then Dru Hill came to my jukebox mind.

Only a “PM” can quiet my mind from the endless endurance that peeps put into my mental jukebox tonight. This might be the beginning of a new category for my blog, so check back with me soon.

Even Everly Brothers encroach, eventually editing my sleep! OMG!

Therefore, the moral of this blog post is, when you get a “tune wedgie” that drives you “crazy”, the best way to dispel it is to just play it live by whatever means or media. “Ain’t it fun reminiscing”?

Oh, by-the-way, how did YOU get in? it’s member’s only tonight…

We miss you, Mr. Bobby “Blue” Bland. My Jukebox mind will always keep you real.

And now…I will unleash my over three decades as a radio broadcaster upon a review of a radio station that is the only one I currently like to listen to…, “Rooshkie Radio, WSNR”, Jersey City.

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The first time I ever heard of Russians, “Boris and Natasha” were cartooned Russian agent caricatures I used to watch on “Rocky, The Flying Squirrel” show as a boy. On the nightly news back then, Chet Hutley, David Brinkley or Walter Cronkite would talk about the “cold war threat” from them and quote the newspaper, “Pravda”. Simultaneously, the movie, “The Russians Are Coming, The Russians Are Coming!” premiered to my young consciousness and then, linguistically via the Cuban Missile Crisis during President Kennedy’s administration in the early 1960s, when then, First secretary of The Soviet Communist Party and Prime Minister, Nikita Khrushchev performed his shoe-pounding rant at the United Nations’ General Assembly.

Then came the dancers at club “NV” Nashville and my meeting my fiancee`Inna via our “Cafe Skype”.
All of which obviously begat these days when I listen daily in the car on my commute to work and my laptop to “Rooshkie Davidzon Radio”, WSNR 640. The AM radio station’s music has a wide variety and very cool, often hip playlist; the Russian talk is helpful to my learning the language of my fiancee` who lives in Ukraine, but is part of the Russian speaking population there (there are two linguistic factions in Ukraine). I bet the old communist establishment of the Soviet Union is turning in it’s grave at the sound of this American-style, non propagandist radio station’s format!

Listening to this station daily (and appreciating their radio elements) augments my Pimsleur Approach Russian CD lesson learning that I began in April of 2012. They have a full spot (commercials) load and the many telephone numbers of the advertisers, spoken in Russian, has helped me learn to count from zero (“нулевой” or “nul”) to twenty (“двадцать” or “dvadtsat'”) in Russkiy!
Their production is entertaining; the image elements enlightening and even when the automation fucks-up, it doesn’t take away from this very American-style terrestrial “Rooshkie” radio station. They have a featured traffic reporter girl, Natalia Bystritskaya, who is bubbly, humorous and in a “good mood” always! u193

The all-important morning show is anchored by a man who I call “the Russian Frankie Crocker” because of the jazzy background music bed that he does his talk over, Vadim Yarmolinetska. thumb100_u207
His laugh and self-deprecating way of handling caller and topics makes him easy to listen to even if you cannot translate or understand every word. I always get the “flavor” of what they are discussing!

Another notable listenable is Alexander Grant who, I determined a “sleuth” journalist personality without the benefit of understanding all of the words in Russian. It is awesome how with the power of just a few linguistics and a background in radio formatics I can decipher subject of their talk shows.
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I love their production, the spontaneity of how they handle callers and even when the automation burps. Their image liners and fill bumpers are really the creative “radio” that I learned to love when bitten by the bug back in 1972 at Adelphi University’s WALI/WBAU.

When not talking, WSNR is eclectic;(boring) especially after seven o’clock U.S. eastern time and on weekends. Weekdays, the live over-the-air broadcast ends at 7p.m. but can still pick up the stream of music online. Sundays they are over-the-air all day until seven p.m., including a sports talk show Sunday evenings. The music mix is eclectic where you’ll hear everything from traditional Slavic folk and acoustic tunes to Barbara Streisand, Elton John, Stevie Wonder, Abba, Tina Turner and any electronica club jams that slip-in, (much less than when I first found this station, by-the-way) remind me of the hot Russian chicks I played for at club NV in Nashville, TN, circa 2004! I do not have to understand every single word in order to know what is going on due to my radio intuition and knowledge of the radio clock and vocal inflections! I notice a dearth of male American R&B or dance vocalist artist on WSNR’s musical playlist, however. How about some Sylvester from the disco days?!

** My advice to Mr. Gregory Devidzon, President of “Davidzon Radio” is do not sell-out to any U.S. radio corporations like Clear Channel! Please! пожалуйста!! Also, Advice: Please install and use the “cough switch” more! I hear too much coughing over the air! WTF? It is needlessly rude and unprofessional.

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If you do, you will lose your radio station’s unique identity, political posture and entertainment values. Take it from someone whose radio career was abruptly discontinued by the corporatization, deregulation and automation which hit us beginning back in the early 1990s.
This is their website url, http://www.davidzonradio.com/index.htm and you can also dial them up streaming on any number of sites like tunein.com/radio/
As one of my LinkedIN.com comrades, Yuri Neshitov put it regarding my Russian learning methods, “You are at better position with learning Russian because love is the best teacher, tutor and assistant in this job… you a lucky man!”

boris_and_natasha_by_rongs1234-d4ydjfu

Pickhitt: I give WSNR Four stars **** out of a possible five for live radio content in this day and time as a former radio personality. This is likely a brokered deal with WSNR.
One thing I recommend is that they add a PLAYLIST or “now playing” to their website so that we what tunes we are listening to after talk hours on line and so we can support the artists whose music they play! As a former radio junkie, I love that I cannot understand all of the bad news of the day and commercials! Otherwise they would be just another cookie-cutter station I would not listen to as a professional. lol I dig their hourly station ID production and choice of filler music also!

I pay particular attention to understanding the words that I can make-out when I hear the word “Ukraine” mentioned during their hour or half-hour news updates these days, knowing that my Inna, is in Kiev and political turmoil is spreading via a corrupt Russian-puppet regime “President” who should resign…. topimg1

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A brain is a battlefield of ideas

Billb62's Blog

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Voices of Ukraine

Politics, anti-government rallies, other. Maidan.

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