This is the last music review here at this vaired and long-standing blog since 2009. From now on, you are invited to check out my musical musings at my new, long-thought-about and sometimes discussed, via my initial blogging motivator (my amigo and Alum, Grady from Adelphi University), offshoot and narrowly focused effort in the blogosphere which will only present via on one of my strengths: writing reviews that comment and critique music, past, present and future! My main obsticale was creating a name for the new one, oddly-enough, which last week finally came to me and allowed me to move forward with it so I hope that you will want go on over to https://achilliadsmyvinylrecordshoppe.wordpress.com/ for my music musings henceforth.
My first review for that new blog station is for an EP I received from a beautiful soul and LinkedIn connection named Irenka.
It is against the backdrop of the cowardly and horrific Islamist bombing of the Brussels airport that I pen this review of music by a native daughter of that country which bothers no other and I cannot understand why those scum continue to main innocents instead of fighting a nation’s armed forces face-to-face; sissies!
Well, on to her important music EP, “Wait 4 It”. I must have met Belgium’s hot foxy female vocalist, Irenka, during my twelve years living in Nashville, Tennessee, right? Or Nyet. I would have remembered such a creative presence, energy and figure as hers! The first sound that I hear on track one “Comme Si” is Irenka clearing her throat. I said, “What??” Listened again; however, quickly those sounds turn into her spittin’ like a Euro human beat-box meeting Soft Cell’s 1981 “Tainted Love” – at least in musical key – as she then croons in French, the lingo most speak in Belgium. The last time I listened to this much lyrical love language was on Dimitri From Paris’ 1998 “Sacre` Francaise” or when I reviewed the various artist Playboy Club remix back in 2009. Scare Bleu!
“Dreamland”, track two, is an introspective, somnambulistic ballad where she displays her vocal range for the first time. This and the next selection where she lets her fingers do the singing on track three are perfect for a cloudy day. Irenka is really playing a beautiful classic-style piano solo instrumental! I know because I asked her. Next up and showing an inner versatile similarity to the late Amy Winehouse but with a better voice, or Billy Holiday, she styles on, “I don’t Need No Lover (except to hold me through the night from time-to-time)”. I think that this arrangement reminds me of New Orleans blues-jazz in a street march parade; especially because of the brass accents. At one point I was unsure whether Irenka would hit the climbing high-note – but she did. You will know it when you listen. It is a song that harkens me back to the days of, “Hubba-hubba!”
Finally, she rocks out with the fourth and last track, “A Reason To Hate Me”.
The video, “Comme Si”, takes us on a musical personal journey and is full of familiar scenes from my twelve years living there in Nashville/
Athletic, isn’t she?
Upon learning of the repulsive, pusillanimous Brussels airport attack, act we communicated and her reply, in great musician style was, “Luckily all family is safe, but it is nonetheless terrible, and it is our duty, we the artists, to bring peace and love to this crazy world!”
The world is not as crazy as some of these recent lunatics who inhabit it and I might have been at first on the fence in limbo about Irenka, but now that I have listened copiously and seen her video, there is no “reason to hate” on Irenka with three-and-a-half hopefully motivating musical stars.